Sequential Disruptions
electronic disruptive music for the restless

Sequential Disruptions is the name of my creative exploration of music using analog and digital synthesizers, searching for moments in sound, whether conscious or coincidental. It gives my music a raw and disruptive feeling.

The albums below are playable with the media player above (except the ones with the grey border), most of them are also available as high-quality audio on Bandcamp (the ones with a blue border). Also, you can find me the follwoning streaming platforms: Spotify, Amazon Music, Apple Music, YouTube, Tidal, iHeart, Pandora, QoBuz and Deezer. For few of them I made a video version available on YouTube.

Click on the album cover to learn more. Wallpaper of latest release?.

Thanks for listening,
Paul Dullaart.

Discography

Sequences of Change [SD01,2020] - These sequences are randomly selected from an older collection of sequences (without any mutual concept). Sequences of Urge [SD02,2021] - These sequences were recorded with an unusual (for me) high(er) BPM, so it can urge you to do things instead of waiting. Sequences of Light [SD03,2022] - These sequences are dedicated to any lightness of being that can step into your life and take you to places unknown. Sequences of Fate [SD04,2022] - All based on single string pattern (BPM 58, in E-flat), which randomly elapses. It takes you (possibly) to another world. Sequences of Oblivion [SD05,2023] - These sequences are based on the idea of stopping time, to surrender yourself to whatever, to be ready for new thoughts. Sequences of Serenity [SD06,2023] - These sequences are variations of two basic sequences in E-flat dedicated to the late Franz Schubert (BPM 60). Sequences of Renewal [SD07,2023] - These sequences are variations of two dark patterns mixed together to find some new light in darker days. Sequences of Escape [SD08,2023] - These sequences are variations of a light and dark pattern mixed together to find some serendipity. Sequences of Longing [SD09,2023] - These sequences are variations of two patterns by emulated Korg synths (MS-20 and ARP Odyssey), joined with piano improvisations in E-flat. Sequences of Echoes [SD10,2023] - These sequences are variations of a few patterns by emulated Roland & ARP Odyssey accompanied by legato strings. Sequences of Machines [SD11,2023} - These sequences are variations of two heavy sequences by identical patterns mixed (BPM 58, in C). Sequences of Rebellion [SD12,2023] - Five Sequences (92 BPM, E-flat), named after the first values of XR. Closed with a special track (text of Lisa Doeland, spoken at A12-roadblock, NL, September 2023)! Sequences of Water [SD13,2024] - Variations of several stochastic piano and marimba patterns, accompanied by slow pad sounds, recorded in one take (BPM 60, E-flat). Sequences of Earth [SD14,2024] - These sequences are the result of trying to keep things simple with a simple beat, except the middle part (BPM 60, in C-sharp minor). Sequences of Space [SD15,2024] - Sequences with strings, celli and celeste, dedicated to Ludwig Wittgenstein, who 100 years ago came up with new thoughts for uncertain times (BPM 60, C minor). Sequences of Silence [SD16,2024] - Made with three synths, recorded in one take to capture time, about things that can happen when things seem to stand still (BPM 60, C-sharp minor). Sequences of Affection [SD17,2024] - Variations of several stochastic patterns driving my synths with strings, celeste and harp sounds, all recorded in one take (BPM 60, E-flat). Sequences of the Mind [SD18,2024] - These sequences are variations of several stochastic patterns driving my hardware and software synths in a higher drive (BPM 112, in E-flat). Sequences of New Land [SD19,2024] - Variations of identical piano patterns (but some stochastics) directing my grand piano with celli and violins (BPM 60, in E-flat minor). Sequences of Pulse [SD20,2024] - Sequences built with only two sequence patterns directing my hardware synths and software synths (BPM 58, in E-flat). Sequences of Cacophony [SD21,2025] - Variations of different stochastic sequences directing my grand piano only, for a calm mood in early 2025 (BPM 60, in E-flat minor). Sequences of Struggle [SD22,2025] - The first sequence is a restless mix of an ARP pattern, followed by three sequences (BPM 58, in E-flat). Inspired by the novel Montpelier Parade by Karl Geary. The music was created with a few specific moments from the novel in mind. They touched me and took me back to my own childhood. Sequences of War [SD23,2025] - Two furious sequences (BPM 120) followed by one soft sequence (BPM 72) to cool down: strong restless tracks for strong restless times. Sequences of Reflection [SD24,2025] - Contains 4 heavy, slow sequences (BPM 60, in E-flat major) that my synths drive, along with additional sounds. Industrial ambient at its finest, I guess. Perfect for contemplating your joys and sins, or anything else entirely. Sequences of Solace [SD25,2025] - Three subtle sequences (BPM 60, in E-flat) directing my hardware and software synths, recorded in one take. In my opinion, extremely calm and light. Sequences of Sea Minor [SD26,2025] - Three more complex symphonic dark sequences (BPM 60, in C-sharp minor), based on a new integral (experi)mental multi-phasing approach. Symphonic No 1 [SD27,2025] - Symphonic dark and slow sequences (BPM 60, in C-sharp minor), about literally things you have to let go of and take new paths, dedicated to all loves lost to time. These sequences consist of a massive classical string sequence with some horn-like synth sequence, followed by more peacefull sequences. Symphonic No 2 [SD28,2025] - Symphonic less dark but still slow sequences (BPM 68, in E-flat major), generating complex repeats of structures, and opening new ideas and visions. A strange synth voice leads into more classic string voices and even more synth voices, all based on one theme (it seems). Symphonic No 3 [SD29,2025] - Symphonic slow melancholic sequences (BPM 54, in A minor) as respectful elegies for courageous and wise women from our past and present, showing us ways to handle truth. These sequences consist of several string voices (cellos and violins), some disturbing synth voices, and a single there(wo)min voice.



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